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The first volume in the classic epic trilogy of parallel worlds, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction. According to legend, the Gates of Zimiamvia lead to a land 'that no mortal foot may tread, but that souls of the dead that were great upon earth do inhabit.' Here they forever live, love, do battle, and even die again. Edward Lessingham - artist, poet, king of men and lover of women - is dead. But from Aphrodite herself, the Mistress of Mistresses, he has earned the promise to live again with the gods in Zimiamvia in return for her own perilous future favours. This sequel to The Worm Ouroboros recounts the story of Lessingham's first day in this strange Valhalla, where a lifetime is a day and where - among enemies, enchantments, guile and triumph - his destiny can be rewritten.
- Sales Rank: #2269140 in Books
- Published on: 2014-10-09
- Original language: English
- Number of items: 1
- Dimensions: 5.16" h x 1.02" w x 7.80" l, .60 pounds
- Binding: Paperback
- 400 pages
Review
'The greatest and most convincing writer of invented worlds that I have read.' - J.R.R. Tolkien 'A new literary species, a new rhetoric, a new climate of the imagination. Every episode, every speech, helps to incarnate what the author is imagining.' - C.S. Lewis 'An eccentric masterpiece. Eddison is unequalled in the vigour, the vividness, the passionate intensity of his imagining, the brooding sadness that underlies it, and the cockeyed magnificence of his language.' - Ursula K. Le Guin 'A fantasy epic written in a lush, thick, cod-Elizabethan style that started off irritating and then became part of the fun.' - Neil Gaiman 'The greatest high fantasy of them all.' - Robert Silverberg 'A grand fantasy adventure.' - Piers Anthony 'Authentic dream, fantastic far beyond invention and natural beyond all possibility of unbelief.' - Arthur Ransome 'A romance of a world that never was ... its landscapes are magnificent. One lives in it.' - Hilaire Belloc
About the Author
Eric Rucker Eddison was born in Adel, England, in 1882. His parents encouraged his spirited imagination. Boyhood days spent reading and adventuring in the northern English countryside with his constant companion, Arthur Ransome, provided rich material for his novels. Eddison was twice honoured, receiving the Order of St. Michael and St. George (1924) and the Order of the Bath (1929) for public service with the Board of Trade. His writings include the first complete translation of the Icelandic epic, Egil's Saga; the novels The Worm Oroboros and Stybiorn the Strong; and the trilogy Zimiamvia, including Mistress of Mistresses, A Fish Dinner in Memison, and the final book, The Mezentian Gate, which was left unfinished when he died suddenly of a stroke in 1945.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Re: what a great mini-series this would make
By M. Durham
I read E.R. Eddison's books many years ago, but they are still vivid in my memory. I loved the way the author could write Elizabethan dialogue as if he had lunch with Shakespeare every day. The characters were so colorful, the scenes richly painted, and the strange, time-and-space-roving Lessingham had another life here in this other Europe, that seems to me now like something Tolkien might have wanted for his Fifth Age of Middle Earth.
I yearned for years that someone would make a film or films of The Lord of the Rings. I grew old waiting, but then it happened. Maybe someday there will be a Worm Ouroboros or a Mistress of Mistresses. I know the language would have to be made more simple and most of the philosophy dumped, but to see Lord Gro, of Ouroboros, doomed always to be a traitor, come to his end, or that grand villain of Mistresses, the Vicar of Rerek take time out from his plotting to be 'a washing of his cursed dogs' in his casstle yard, would be a mad treat.
Winston Chruchill once said that schoolboys should be allowed to study Latin as a reward, and Greek as a treat. Readers with imagination and an appreciation for language should be made lighter nad dizzy with the richness of Eddison's prose.
9 of 10 people found the following review helpful.
The arrogance of genius
By C. G. Herbertson
king wolf offers a first review of this work with the kind of arrogance that may put off a potential reader. However, its an arrogance that Eddison himself would doubtless admire. The review, for all its naked boasts, simply tells the truth. Eddison is brilliant with a brilliance that shines from many angles, and with a light that at once terrifies and appalls
That Eddison is not studied at high levels of education, that he is barely read and marginalised, is a depressing condemnation of the literary world. I feel personally fortunate I was exposed to Eddison's work as a youth. Lucky old me.
26 of 31 people found the following review helpful.
Perfection in romantic fantasy
By gilham@csl.sri.com
This is a book of unearthly beauty. While I felt that Eddison's THE WORM OUROBOROS was somewhat on the light side, MISTRESS OF MISTRESSES captures the vision of romantic heroism, both in its peaks of joyful experience and its dark ambiguity. It is almost impossible to describe rapture in such a way as to actually evoke it in the reader---Eddison does this not once but several times. Yet looming behind the pleasures of flesh and spirit is a wintry grandeur, a coldness of sheer height and a thanatosis that makes one shiver.
The book begins and ends with death and the plot is standard. There is no character development---the characters are (sometimes literally) archetypes. It is not really a story. It is a vision---a painting that one would gaze at for hours. The value of this book lies in the strength of that vision and the beauty with which it is portrayed.
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